Our handmade workshop is still warming up the kiln — please hold off on orders for now. Follow @neerami and we'll wave the green flag when we're ready
Most resin-care advice online is fear-based — 'don't let it touch sunlight, don't put hot things on it, don't breathe near it.' Reality: resin pieces are tougher than they look. Here are the three things to actually do and the six things you can stop worrying about.
Anushka in Kolkata commissioned a hand-tray for her family's Saraswati Puja in February. She wanted the marigold gold of the deity's robe in resin. Three drafts, six WhatsApp voice notes, and a tray that travelled 1,400km. Here is what we learned.
Resin cures slower in monsoon humidity, and that is not a bug. This is how we work with the weather rather than against it — and why a piece poured in July might be the strongest one you ever own.
A short guide to picking the right piece for the right person this Diwali — from your no-fuss sibling who 'doesn't want anything' to the home-maker friend who has every diya already. Six profiles, six picks, no overthinking.
Anushka in Kolkata commissioned a hand-tray for her family's Saraswati Puja in February. She wanted the marigold gold of the deity's robe in resin. Three drafts, six WhatsApp voice notes, and a tray that travelled 1,400km. Here is what we learned.
Amber is the hardest colour in the studio. Not the deep saffron golds, not the pale champagne — the in-between amber that catches light like honey in winter. Here is how three days of trial-and-error become a single 40-second pour.
Resin cures slower in monsoon humidity, and that is not a bug. This is how we work with the weather rather than against it — and why a piece poured in July might be the strongest one you ever own.
A short guide to picking the right piece for the right person this Diwali — from your no-fuss sibling who 'doesn't want anything' to the home-maker friend who has every diya already. Six profiles, six picks, no overthinking.
Most resin-care advice online is fear-based — 'don't let it touch sunlight, don't put hot things on it, don't breathe near it.' Reality: resin pieces are tougher than they look. Here are the three things to actually do and the six things you can stop worrying about.
I didn't plan to spend three years pouring resin in a Rewari workshop. The material chose me, not the other way around. This is the longer story of why a software engineer ended up with terracotta dust on his hands.
Most resin-care advice online is fear-based — 'don't let it touch sunlight, don't put hot things on it, don't breathe near it.' Reality: resin pieces are tougher than they look. Here are the three things to actually do and the six things you can stop worrying about.
Amber is the hardest colour in the studio. Not the deep saffron golds, not the pale champagne — the in-between amber that catches light like honey in winter. Here is how three days of trial-and-error become a single 40-second pour.
A short guide to picking the right piece for the right person this Diwali — from your no-fuss sibling who 'doesn't want anything' to the home-maker friend who has every diya already. Six profiles, six picks, no overthinking.
I didn't plan to spend three years pouring resin in a Rewari workshop. The material chose me, not the other way around. This is the longer story of why a software engineer ended up with terracotta dust on his hands.
Most resin-care advice online is fear-based — 'don't let it touch sunlight, don't put hot things on it, don't breathe near it.' Reality: resin pieces are tougher than they look. Here are the three things to actually do and the six things you can stop worrying about.
Resin cures slower in monsoon humidity, and that is not a bug. This is how we work with the weather rather than against it — and why a piece poured in July might be the strongest one you ever own.
I didn't plan to spend three years pouring resin in a Rewari workshop. The material chose me, not the other way around. This is the longer story of why a software engineer ended up with terracotta dust on his hands.
I didn't plan to spend three years pouring resin in a Rewari workshop. The material chose me, not the other way around. This is the longer story of why a software engineer ended up with terracotta dust on his hands.
Amber is the hardest colour in the studio. Not the deep saffron golds, not the pale champagne — the in-between amber that catches light like honey in winter. Here is how three days of trial-and-error become a single 40-second pour.
Anushka in Kolkata commissioned a hand-tray for her family's Saraswati Puja in February. She wanted the marigold gold of the deity's robe in resin. Three drafts, six WhatsApp voice notes, and a tray that travelled 1,400km. Here is what we learned.
Notes from the studio in Rewari, gift-giving guides for Indian festivals, and the slow stories behind every piece we pour.